作者：王存武 Twinwood Wang
For a lang time, people have used talismans to meet their desires, hanging turning, expecting their wishes to come true.
The unfading color-anodized titanium leaves, with the wishing icons drawn by people, rolling, shining in the wind and the sun, are permanently hung in front of the goverment office, to encourage the civil servants all the time.
The woman and man humanoid trees symbolising the people support the structure of the goverment.
Standing separately in the north and south corners of the street block, both of the two Wishing Trees provide shading together wish road trees, and illuminate along wish street lights.
Without spotlights focusing on the artworks themselves, those are public arts that light up the environment for people.
作者：林信榮 Lin, Hsin-Jung
In the shape of an apple symblic of fruitful achievments of civilization advance, and through the centeiptal axis, this master piece depicts human’s thought and intelligence, expounding the engraved parallel leverage and its embodiment.
Through the multifaceted interaction with the sited enviroment, buliding landscape and this art itself.
作者：王裕榮、駱信昌 Huang, Yu-Jung、Lo, Hsin-Chang
Flip Flops invoke a sense of freedom, leisure, and peace.
Thay echo a relaxed pace of life as well as a sence of indulgence and freedom.
This artwork is based on the imagery of a large flip flop. With vibrant colors and a Lego-like form, it incorporates lelment of nature to symbolize a lively city that inspires a smart,happy way of life. Furthermore, it presents ths dynamic development of Xinzhuang Fuduxin, as well as the comfortable and convenient lifestyle it offers. healthy, and convenient lifestyle it offers.
作者：徐秀美 May Hsu
The public art work is sculpted with broad streamline,combining the ideas of "moothness","thoroughness","warmth",and"the prospects of we-being"(as envisioned into an aesthetic form-to create an artistic symbol of "marching toward a civil society via multiculturalism", that is, speaking up for and feeling with the people.
作者：劉鎮洲 Liou, Chen-Chou
作品整體設計是以工整的磚紅色方形塊體，結合位於中央具有豐 富色彩的自由造型體而成。深入探究造型的意義，位於中央的方形凹洞中，其多變的彩色實體在不鏽鋼材質的背景鏡面中所形成的虛像，成為空間中色塊的虛實對比；中央凹形方洞中以材質細緻的斷熱磚所呈 現的彩色塊體，又與外框的粗獷的正方形陶塊，產生質感上的明顯對應。整體而言，21 片方正陶土塊工整的排列，及方洞中塊體的多彩變幻，象徵自然大地的厚實與大地中豐富精彩的蘊藏。
本作品是由 24 片圓角正方形陶片所構成，每塊陶片的正面造型，依藝術家的創意發想設計出不同的凹凸圖樣，這些圖樣並沒有事先設計規劃，而是在創作的過程中，靈光一閃所決定的圖形樣式。它是一個直覺的、随興的圖樣，也是常在日常生活中不經意會出現的圖樣，每個圖樣也不具有特定的意義，但感覺上是熟悉的、親切的，依據每 個人的成長經驗與記憶，看見這些符號也會產生不同的情感或感受， 同時也可讓觀賞者發揮自由想像的空間。
In terms of shape, this work presents a contrast between neat square brick-red blocks and colorful free shapes at the center. The colored blocks in the central square hole and the images reflected in the background mirror-finish create an appealing color contrast. The texture of the exquisite colors also provides a clear contrast with the rough square ceramic shapes that form the outer frame. On the whole, the careful, neat arrangement of the 21 square ceramic pieces and multiple changes of color symbolize.
This piece is made up of 24 square ceramic pieces with rounded corners. The front of each piece is decorated with different carved patterns that were not predesigned or planned, but rather determined in flashes of inspiration during the creative process. These are instinctive, random shapes that often appear unconsciously in daily life. Although none of them have a fixed meaning they all feel familiar, creating a space in which the imagination of the viewer can take flight.
作者：李亮一 Leo Lee
A2-以四幅「花之圓舞曲」隱含歡迎大家 呼應本會議門廳的意象。以四幅花之圓曲呼應本會議空間為與會者休憩、討論、聚集之處 。就如同到了夏威夷總有一個美麗的花環歡迎遊客的到來。正是花之組曲色彩鮮艷，「歡迎大家」的含意，呼應本會議門廳的意象。
A1-Four huge round columns have been selected for the installation of the public art, in order to reflect the cultural diversity and inclusiveness of the town of Xinzhuang, The international convention hall in the green corridor can accommodate two hundred people coming from various areas to meet here for conference. The vestibule outside the conference room is a space where the participants of the meeting take a rest, engage themselves in discussions, or just socialize. The four large round columns and the curved wall form an ideal space where a group of artists collaborate to realize an ensemble of public art befitting the convention center.
A2-The four panels of “Waltz of Flowers” symbolize a warm welcome extended to all who arrive here for topical discussions, cultural exchanges or leisure activities. Much as the Hawaiians present a beautiful lei to a tourist on his/her arrival, the brilliantly-colored floral suites on the pillars greet guests arriving for cultural and social interchanges.
A3-The exuberant floral patterns fixed onto the four columns provide a feast of visual ar t which, by means of their chromatic deployment and linear drawings, arouse an aesthetic experience the way musical notes do as they are translated into melodies and rhythms in the performances of vocalists and instrumentalists. At once symbolical and metaphorical, representational and non-representational, this flowering display is a visual poem celebrating unlimited growth, perennial prosperity and eternal joy of life.
A4-This is an original work of public art conceived and realized in accordance with the mission of the establishment, a mission, namely, to render service to the local public. The application of digital inkjet printing onto glass mosaic is a form of art the artist has created independently. It conjoins printing, drawing, watercolor, sculpture and ceramics into one unified whole. This technique did not come to maturity and fruition until after repeated experiments over a period of more than twenty years. A work of art thus created has an eye-catching beauty and a compelling modernity. This first impression is to be followed by attentive contemplation among the spectators in their efforts to identify what’s what in the abstract patterns and suggestive lines.
B-Eight gradated mosaics on the cur ved wall symbolize four pairs of dancers waltzing around the flowers on the round columns.
C-The Arch is a pictorial metaphor of the four pairs of dancers waltzing toward a bright future.
作者：Ray King . Adagio
For the past 40 years, Ray King is the artist who focuses on light creation to surrounding space. During the day, the light go through the art peice to create a dynamic interaction with viewers; at night, the piece can be illuminated by electric light system.
Consisted of 1500 dichroic glasses, the art piece "POINT OF VIEW" is hanged in the hallway ceiling. Along with the spiral stairs and the fan shaped hall, from the top to bottom, the glasses fan out as a unique oblique half-cone shape. These glasses require speical cyan/ gold coating, in order to create the color shifting from different visual angles. The color on glasses can shift from cyan to blue to magenta, with the spectrum refrections range from orange to gold.
The refrections of the glasses mirror the orbit of sun. Along with the moving sun light, these shadows and projections shift with time, scattering around the walls, ceilling, and floor, moving like water reflecting the light. All the result is from delicate design eyes and NASA glass coating technology.
POINT OF VIEW achieves as an art peice which marinates glass composition with projection and refrection. The floating glasses compose to spiral lines, reflect the light, and create a dreamy environment to the public, in order to expand a distinguishable landmark which can be shared and told by generations.
作者：五十嵐威暢 Takenobu Igerashi
This public art work symbolizes the first inhabitants of Taiwan, later Han Chinese immigrants, and new migrants from countries around the world. It also reflects the international flavor and multicultural melting pot of Taiwan.
The piece is made up of different shaped and colored sculptures. Bringing together divergent cultures and peoples in mutual respect. Showcasing the uniqueness of Taiwanese culture in all its glory.
This ceramic sculpture is made from clay.A product of the land that provide succor, the fields in which crops are grown, and a physical representation of the nation - the shared home of the people. Using clay as the foundation of the work, the blossoming of the many-shaped and multicolored sculptures, symbolizes the wonderful future that awaits Taiwan.
作者：佐伯和子 Kazuko Saeki + workshop participants
This work is imbued with the sincerity of handicraft work. Although mainly red and blue, it is a cacophony of other colors. Reminding us of all those public officials in central government office buildings striving for the good of the nation and its people. Our beautiful mature society has been built by such individuals giving their all.
Red and blue, represent a sense of vibrant energy and coexistence with nature, highlighting the mutual support and consensus it takes to build a society. The artist takes embroidery pieces created by visitors to her workshop, and makes them an integral part of the work. Ensuring this public art piece gives voice to an exquisite symphony of artistic joy.